Post #7 2018–“On the Wrong Rela (Rail)” Randall Jamrok Tabla Solo in Ektaal

My latest recording, "On the Wrong Rela (Rail)" is a tabla solo in Ektaal (12 beats). The theme is being on the wrong train, which often happens to me in the city of Chicago. Also, being on the wrong metaphorical train relating to life in general, as everyone finds themselves once in a while. The tabla … Continue reading Post #7 2018–“On the Wrong Rela (Rail)” Randall Jamrok Tabla Solo in Ektaal

Post #6: Ra – Ra – Sis Boom Dha – self-composed Tukras, in all taals

This is a tukra composition I wrote based on a popular Western cheerleading chant (based on the sounds of a firecracker) originally from 1867, see also. My Grandma used to quote the Polish version: Ra - Ra - Sis Boom Bah, hit em on the head with a Keilbasa.  I thought the syllables and history were … Continue reading Post #6: Ra – Ra – Sis Boom Dha – self-composed Tukras, in all taals

Post #2 2018 – Jhaptaal Kayeda in Tishra (3) Jaati

This is a self-composed variation of a kayeda in Tintaal: tereketetwak Takaterekete gena- dhagena dha-terekete dhatidha genatu nagena which I turned into tereketetwak Takaterekete gena- dhagena dha-terekete, dhatidha gena,tu nadhage na, dhati dhagena; for Jhaptaal. https://youtu.be/8CMiilnxYKQ It is interesting to note that this kayeda can also be used in Pancham Sawari Taal (15) in Chatashra … Continue reading Post #2 2018 – Jhaptaal Kayeda in Tishra (3) Jaati

Post #1 2018 – Hindustani Classical Music Meetup

Here is some performance and accompaniment footage of myself from our Chicago Hindustani Classical Meetup group December 2017 event. I performed a Kayeda ("Dhagena Dhage terekete dhatidha genadhage tunagena" and Rela ("Dha-terekete Dheredhereketetwak") in Jhaptaal, and explained how each of the variations are formulated. I also accompanied Sneha on Raga Bihag. https://youtu.be/zUSmjgS8Y5s